The Sony SLog 2 LUTs work with most cameras in the Sony lineup. LUT files are compatible with just about every video editing software, so you no longer have to worry about which pack to match with your software. We have customized each LUT to work with different shooting situations. This pack includes: – 10 Sony SLog. 10 Unique Cinematic LUTs for Rec709 Standard, GH5 VLOG, Sony SLOG 2, SLOG 3, REDLOGFILM and DJI DLOG. These LUTs can be used on a wide range of footage. Each one has its own great use that work for sunsets, cloudy, sunny, indoors etc. Included in this pack are 10 LUTs for each camera's LOG profiles. Sony Look Profiles are designed to simplify the colour grading process. Supplied as 3D LUT (Lookup Table) files, our Look Profiles convert footage shot in S-Log to the REC.709 standard, making it easy to achieve dazzling images with S-Log, even for beginners.
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Applying LUTs in DaVinci Resolve
You can apply a LUT for color work in DaVinci Resolve 12.5 as follows.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
Download 3D LUTs for DaVinci Resolve
- S-Gamut/S-Log2
- S-Gamut 3.Cine/S-Log3
10 Unique Cinematic LUTs for Rec709 Standard, GH5 VLOG, Sony SLOG 2, SLOG 3, REDLOGFILM and DJI DLOG. These LUTs can be used on a wide range of footage. Each one has its own great use that work for sunsets, cloudy, sunny, indoors etc. Included in this pack are 10 LUTs for each camera's LOG profiles.
Procedure
Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed.
Click [New Project] and open a new project with a name of your choice.
![Sony Slog 2 Lut Sony Slog 2 Lut](https://cdn.shopify.com/s/files/1/1378/3337/products/clean-lut_800x.png?v=1593692302)
When the [Media] page is displayed, import your material.
In the volumes listed in the upper left, select a folder with material to import. Clip thumbnails are shown once the material has been imported.
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Drag clips to the [Media Pool] area.
If the frame rate of a clip you drop does not match the project frame rate, a frame rate conversion window is displayed. Click [Change] to adjust the frame rate of imported material to match your project.
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Open the [Edit] page.
![Lut Lut](/uploads/1/1/8/4/118419994/708868893.png)
In the toolbar, select [File] > [New Timeline]. A window opens. For your new timeline, decide details such as [Start Timecode] and [Timeline Name].
Clear the selected [Empty Timeline] check box, and then click [Create]. All clips in the [Media Pool] area are arranged on the timeline.
Open the [Color] page.
Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT].
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You can also add your regular LUTs to the [3D LUT] menu.
Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.
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Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT].
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In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.